The artwork thrusts the audience into an uncomfortable environment and asks them to consider their accountability. Resembling bones, tools used in a surgical abortion are displayed on the floor and reimagined in handmade white porcelain and are thus emblematic of the decay of rights. These are laid out geometrically outside of the pathway from one room to another, indicating the error in stepping on them and underlining carelessness and ignorance in the community. This erosion of rights is embodied in the soundscape, where the tactile imagery of each item breaking projects discomfort onto audiences, and ultimately allows the audience to reflect on the objects’ importance and thus action their preservation. Each cacophonous crunch of the audio projects the injury inflicted upon bodies with uteruses when confined by inhumane legislation.